All regions of grouped tracks are now selected when selecting a track that's a member of the group.
Deselecting all multiple selected channel strips in the Mixer now leaves only the currently focused channel selected in the Track List.
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The Channel Input Mode button for Software Instrument tracks now displays reliably when the Mixer is set to Tracks view.
The Mixer now immediately shows the effect of changing from Post-fader mode to Pre-fader mode.
Flex Pitch data is now displayed correctly immediately after an audio file is analyzed for Flex Pitch.
The Strength slider for Flex Pitch no longer jumps back to 100% after a lower value is set in the Audio Track Editor.
Flex Pitch curves in the Audio Track Editor now consistently display as expected after an audio file is re-analyzed for flex pitch.
Analyzing an audio file for Flex Pitch no longer resets existing Flex Pitch edits in the file.
Resolves an issue where audio files might not play after Flex Pitch analysis was performed.
Playback of a Step Sequencer region now continues as expected if the MIDI In port of the track is changed while it is playing.
Fixes an issue where playback can pause unexpectedly when recording large amounts of data into an unquantized Step Sequencer pattern in which step 1 has a negative offset.
Triggering and recording into Live Loops cells from control surfaces and MIDI controllers now works reliably.
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In full screen view, the Live Loops grid now reliably updates when toggling Ultrabeat cells.
Resolves an issue where Software Instrument Live Loop cells could appear to be empty immediately after recording.
An alert is now displayed when a Step Sequencer pattern cell is converted to MIDI, warning if the contents require that they be aligned to a single pitch.
VoiceOver can now be used to control a channel strip's 3D Object Panner in Spatial Audio projects.
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The blue highlight now follows selected items in the Preferences windows in VoiceOver mode.
VoiceOver now consistently announces the selection state of items in the Project Settings windows.
Muting channels in the Surround Panner now behaves as expected in Spatial Audio.
Resolves an issue in Autosampler where playback to USB audio interfaces could become distorted.
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Logic no longer hangs when zooming in to the maximum zoom level with the Movie track open.
Notes created using the Pencil tool in GarageBand for iOS no longer get stuck when played back in Logic Pro.
Fixes an issue where MIDI notes could stick when played through a Summing Stack using Logic's built-in instruments on Apple silicon Macs.
The Logic interface now remains fully responsive when track level meters are displayed.
Performance is improved when selecting files in the Audio Import window on macOS Monterey.
Improves performance and responsiveness when performing Smart Tempo analysis while the project is playing.
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Resolves an issue where Logic could quit unexpectedly when selecting a new patch while a Sampler window is open.
Resolves various issues with Audio Units plug-ins that might cause Logic to quit unexpectedly.
Fixes an issue where Logic could quit unexpectedly when converting imported REX2 files.
Fixes an issue where Logic could quit unexpectedly when loading presets in Audio Units plug-ins, or copying tracks that contain Audio Units plug-ins.
Logic no longer quits unexpectedly when tabbing to the end of a region after inserting a chord symbol into the Score.
Resolves an issue where Logic could quit unexpectedly when performing Flex Pitch analysis.
And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. Start walking a bass line up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing. For starters, there’s the Floating Split Point. MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes or Wurlitzer electric pianos on stage. Use Retro Synth to re-create your favorite electronic sounds from the ’70s and ’80s with an intuitive set of controls. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. The Arpeggiator features note-based remote controls and flexible latch modes. Take your performance beyond what you can actually perform.